Translating Time: Cinema, the Fantastic, and Temporal...

Main
Translating Time: Cinema, the...

Translating Time: Cinema, the Fantastic, and Temporal Critique

Bliss Cua Lim

0 / 0

Koliko vam se sviđa ova knjiga?

Kakav je kvalitet fajla?

Preuzmite knjigu radi procene kvaliteta

Kakav je kvalitet preuzetih fajlova?

Uses a postcolonial critique of the universality of historical time to propose a new way of considering the fantastic in cinema, a prevalent trope in much Asian and Southeast Asian film.

Godina:

2009

Izdavač:

Duke University Press

Jezik:

english

Strane:

360

ISBN 10:

082239099X

ISBN 13:

9780822390992

Fajl:

PDF, 3.78 MB

IPFS:

,

english, 2009

Preuzeti (pdf, 3.78 MB)

Konvertovanje u je u toku

Konvertovanje u nije uspešno

Možda će vas zanimati

Lauren Rosewarne — Why We Remake

Stephen Teo — The Asian Cinema Experience - Styles, Spaces, Theory

Garrett Stewart — Framed Time: Toward a Postfilmic Cinema (Cinema and Modernity Series)

Lauren Rosewarne — Why We Remake: The Politics, Economics and Emotions of Film and TV Remakes

Dana Och, Kirsten Strayer — Transnational Horror Across Visual Media: Fragmented Bodies

Valerie Wee — Japanese Horror Films and their American Remakes

Alison Peirse, Daniel Martin — Korean Horror Cinema

Alison Peirse, Daniel Martin — Korean Horror Cinema

Helen Powell (editor) — Stop the Clocks!: Time And Narrative In Cinema

Bliss Cua Lim — Translating Time: Cinema, the Fantastic, and Temporal Critique

Arnika Fuhrmann — Ghostly Desires: Queer Sexuality and Vernacular Buddhism in Contemporary Thai Cinema

Yiman Wang — Remaking Chinese Cinema: Through the Prism of Shanghai, Hong Kong, and Hollywood

Yiman Wang — Remaking Chinese Cinema: Through the Prism of Shanghai, Hong Kong, and Hollywood

Steven Rawle — Transnational Cinema: An Introduction

Casanova-Vizcaíno, Sandra,Ordiz, Inés — Latin American Gothic in Literature and Culture

Vikrant Kishore, Amit Sarwal and Parichay Patra — Salaam Bollywood: Representations and Interpretations

Shelagh Rowan-Legg — The Spanish Fantastic: Contemporary Filmmaking in Horror, Fantasy and Sci-fi

Shelagh Rowan-Legg — The Spanish Fantastic: Contemporary Filmmaking in Horror, Fantasy and Sci-Fi

David Scott Diffrient (editor); Kenneth Chan (editor) — East Asian Film Remakes

Matthew Leggatt — Was It Yesterday? : Nostalgia in Contemporary Film and Television

Iain Robert Smith and Constantine Verevis — Transnational Film Remakes

Iain Robert Smith; Constantine Verevis — Transnational Film Remakes

Ian Aitken — Cinematic Realism: Lukacs, Kracauer and Theories of the Filmic Real

Ian Aitken — Cinematic Realism: Lukács, Kracauer and Theories of the Filmic Real

Daniel Herbert (editor), Constantine Verevis (editor) — Film Reboots

Daniel Herbert; Constantine Verevis — Film Reboots

Steffen Hantke — American Horror Film: The Genre at the Turn of the Millennium

Steffen Hantke — American Horror Film

Helen Powell — Stop the Clocks!: Time and Narrative in Cinema

Shelagh Rowan-Legg — The Spanish Fantastic: Contemporary Filmmaking in Horror, Fantasy and Sci-fi

Fernando Gabriel Pagnoni Berns, Subashish Bhattacharjee, Ananya Saha — Japanese Horror Culture

Olivia Khoo, Sean Metzger — Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen Cultures

Andy Richards — Asian Horror

Hauke Lehmann; James Lattimer — Affect Poetics of the New Hollywood: Suspense, Paranoia, and Melancholy

Sarah Woodland — Remaking Gender and the Family : Perspectives on Contemporary Chinese-Language Film Remakes

Najčešći pojmovi